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Game Review: Sleaford Mods' Jason Williamson Takes On Role in Critical Examination at Ecstasy Generation Era

Produced by Bristol sound co-founder the musician-producer, this scabrous though undernourished debut feature casts a critical gaze on 90s rave culture. Self-serving pillhead David (Marc Bessant) initially steals from an passed-out supplier, then in a later recollection tries to burgle his own parents. Before you can say, he's upside down in the remains of his car in a forest – and subject to the wrathful eye of the Poacher (vocalist Jason Williamson). Refusing to extricate David, with impatience toward townies, he is broken Britain embodied: “You’re one of those loud individuals from up on the heath.”

Unsteady Opening and Darkly Funny Confrontation

The film begins uncertainly, spending too long on meticulously detailing David’s attempt to extricate himself from his safety harness, while awkwardly transitioning into past scenes of his normal activities. The central theme – that the rave-era youth were mainly focused on number one – is firmly made. But these brief episodes are insufficiently developed to adequately prepare us for what to expect when the Woodsman turns up, enraged after David strangles his dog. Still, a grimly amusing standoff takes hold – David eager to get away; the Poacher withholding his jerrycan of scrumpy, determined to soaking him instead in embittered discourse. Williamson, projecting heavy threat in the role, is evocative of Michael Smiley.

Visual Flair and Music Video Sensibility

Just a single key story turn, but it leads to a hilariously staged chaotic run on the forest trails that dips close to rural terror. Director John Minton at last unleashes with his showy imagery: where he was hunkered down doing impressionistic closeups of bugs in headlights in the opening part, he now goes all out with the full psychedelic 21-gun salute, soundtracked to a frenzied keyboard rendition of Ravel’s Boléro. Game feels more like an elongated music video than a complete narrative, but there’s enough bold visuals to suggest that Minton could emulate Jonathan Glazer, Garth Jennings et al into successfully graduating from the Brit music promo scene.

Game is in British and Irish cinemas from November 17.

The writer

Samuel Miles

A seasoned journalist with over a decade of experience covering international relations and geopolitical developments across multiple continents.

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